Kremer
Very translucent, beautifully bright, orange earth tone from Kremer. Makes a wonderful glaze colour, intense and warm. Semi transparent.
Kremer Studio Pigment. Rich, dark blue. An economical, strong blue, easy to use. Synthetic organic pigment and filler.
Solid Beads made from recycled glass. 0.5mm
Ethyl methacrylate polymer supplied in a bigger value 2kg plastic container
Kremer Polecat Hair Gussow Oil Painting Brush. Red lacquered handle. Size 12. A very good, soft artists brush.
Blue-Black Shellac Ink from Kremer. Strong, highly pigmented traditional shellac ink. Most inks use dyes as colorants, which makes them very thin and not very lightfast. Kremer use pigments in a rich shellac base, which makes their inks uniquely lightfast and brilliant. They dry to a water-insoluble film, and can be diluted with water for water-colour like effects, or Shellac Ink Diluter / Vehicle, for brilliant, glossy, transparent applications. Shake before use.
Violet Shellac Ink from Kremer. Strong, highly pigmented traditional shellac ink. Most inks use dyes as colorants, which makes them very thin and not very lightfast. Kremer use pigments in a rich shellac base, which makes their inks uniquely lightfast and brilliant. They dry to a water-insoluble film, and can be diluted with water for water-colour like effects, or Shellac Ink Diluter / Vehicle, for brilliant, glossy, transparent applications. Shake before use.
Blue-Black Shellac Ink from Kremer. Strong, highly pigmented traditional shellac ink. Most inks use dyes as colorants, which makes them very thin and not very lightfast. Kremer use pigments in a rich shellac base, which makes their inks uniquely lightfast and brilliant. They dry to a water-insoluble film, and can be diluted with water for water-colour like effects, or Shellac Ink Diluter / Vehicle, for brilliant, glossy, transparent applications. Shake before use.
Violet Shellac Ink from Kremer. Strong, highly pigmented traditional shellac ink. Most inks use dyes as colorants, which makes them very thin and not very lightfast. Kremer use pigments in a rich shellac base, which makes their inks uniquely lightfast and brilliant. They dry to a water-insoluble film, and can be diluted with water for water-colour like effects, or Shellac Ink Diluter / Vehicle, for brilliant, glossy, transparent applications. Shake before use.
Hansa Yellow from Kremer. A monoazo pigment with good opacity. Good alternative to Chrome Yellow.
Hansa Yellow from Kremer. A monoazo pigment with good opacity. Good alternative to Chrome Yellow.
Light Golden Ochre from Italy. ' Sienna de Verona.' Natural yellow Ochre.
Kremer Genuine Vermillion. Mercuric Sulphide, light from China. Strong pure vermillion.
Delicate bluish-violet coloured pigment
Delicate bluish-violet coloured pigment in a very economical larger 500g size
Pure plant black. A cold black pigment
Very translucent, beautifully bright red earth tone from Kremer. Makes a wonderful glaze colour, intense and warm. Semi transparent.
Kremer Studio Pigment. Rich, dark blue. An economical, strong blue, easy to use. Synthetic organic pigment and filler.
glossy, 1.25 - 1.55 mm. Coarse glass beads
Ethyl methacrylate polymer
Kremer Polecat Hair Gussow Oil Painting Brush. Red lacquered handle. Size 14. A very good, soft artists brush.
Light Golden Ochre from Italy. ' Sienna de Verona.' Natural yellow Ochre.
Kremer Genuine Vermillion. Mercuric Sulphide, light from China. Strong pure vermillion.
Pure plant black. A cold black pigment
sparkling dark metallic copper. Iron oxide pigment
Kremer Studio Pigment. Rich, dark blue. An economical, strong blue, easy to use. Synthetic organic pigment and filler.
Barite, barium sulphate, powder
UV Stabilizer 292 HALS, liquid, soluble in benzine
Kremer Polecat Hair Gussow Oil Painting Brush. Red lacquered handle. Size 16. A very good, soft artists brush.
White Shellac Ink from Kremer. Strong, highly pigmented traditional shellac ink. This ink settles and requires vigorous stirring or shaking to disperse. Most inks use dyes as colorants, which makes them very thin and not very lightfast. Kremer use pigments in a rich shellac base, which makes their inks uniquely lightfast and brilliant. They dry to a water-insoluble film, and can be diluted with water for water-colour like effects, or Shellac Ink Diluter / Vehicle, for brilliant, glossy, transparent applications.
Light Golden Ochre from Italy. ' Sienna de Verona.' Natural yellow Ochre.
Kremer Genuine Vermillion. Mercuric Sulphide, light from China. Strong pure vermillion.
Rich dark blue with a cool tone when mixed with white. Also known as Milori or Berlin Blue
Pure plant black. A cold black pigment
NEW SIZE 100g. Muscovite mica, small flakes. Mica can be used to give an iridescent glimmer effect to your work
Kremer Studio Pigment. Bright, acid green. Strong and economical, easy to use colour. Synthetic organic pigment and filler.
Barite, barium sulphate, powder
Bentonite is a special swellable clay, which can be used as a thickening aid for paint, especially oil color.
Kremer Polecat Hair Gussow Oil Painting Brush. Red lacquered handle. Size 18. A very good, soft artists brush.
White Shellac Ink from Kremer. Strong, highly pigmented traditional shellac ink. This ink settles and requires vigorous stirring or shaking to disperse. Most inks use dyes as colorants, which makes them very thin and not very lightfast. Kremer use pigments in a rich shellac base, which makes their inks uniquely lightfast and brilliant. They dry to a water-insoluble film, and can be diluted with water for water-colour like effects, or Shellac Ink Diluter / Vehicle, for brilliant, glossy, transparent applications.
Raw Sienna from France. Natural earth yellow dry pigment.
Zirconium, Salmon Red Pigment. Extremely lightfast, suitable for all techniques.Cadmium red in a matrix of zirconium silicate.
Zirconium, Salmon Red Pigment. Extremely lightfast, suitable for all techniques.Cadmium red in a matrix of zirconium silicate.
Rich dark blue with a cool tone when mixed with white. Also known as Milori or Berlin Blue
Made from bones. A black pigment with a slightly brownish cast
Very fine white pearlescent powder; particle size between 15 and 40
Kremer Studio Pigment. Bright, acid green. Strong and economical, easy to use colour. Synthetic organic pigment and filler.
Kremer Polecat Hair Gussow Oil Painting Brush. Red lacquered handle. Size 20. A very good, soft artists brush.
Solvent for shellac inks. Good for cleaning brushes and dip pens when used with the shellac inks.
Raw Sienna from France. Natural earth yellow dry pigment.
Genuine carmine pigment, made of cochineal, from Coccus Cacti. Red Lake.
Very light turquoise blue. For water-based media, not for oil.
Made from bones. A black pigment with a slightly brownish cast
Very fine white pearlescent powder; particle size between 15 and 40
Kremer Studio Pigment. Bright, acid green. Strong and economical, easy to use colour. Synthetic organic pigment and filler.
Fine Fuchsite from Kremer, green quartz mica, 100 - 250 µ
A diluent for the shellac inks. Can also be used to bind small amounts of dry pigment.
Raw Sienna from France. Natural earth yellow dry pigment.
Genuine carmine pigment, made of cochineal, from Coccus Cacti
Very light turquoise blue. For water-based media, not for oil.
Made from bones. A black pigment with a slightly brownish cast
thin plates, 0.3 - 1 mm
Kremer Studio Green Dark. Easy to use and economical green. Synthetic organic pigment and filler.
Natural compound of talcum, chlorite, dolomite and magnesite. Kremer talcum is a good filler for paints and can help 'brighten' colours
L526 Linen from Kremer. 950 g /m² linen fabric. 140cm width. Supplied lightly folded.
This item is for special order and will take approximately four weeks to supply.
For more information, please call 020 7790 0884 or email info@apfitzpatrick.co.uk
A diluent for the shellac inks. Can also be used to bind small amounts of dry pigment.
Burnt Sienna from France. Natural earth dry pigment. Brownish-red.
Very light turquoise blue. For water-based media, not for oil.
Mixture of Bone and Lamp Black (Replaces 47150 Kremer Ivory Black)
Kremer Studio Green Dark. Easy to use and economical green. Synthetic organic pigment and filler.
Natural compound of talcum, chlorite, dolomite and magnesite. Kremer talcum is a good filler for paints and can help 'brighten' colours
Deep Black Shellac Ink from Kremer. Strong, highly pigmented traditional shellac ink. Most inks use dyes as colorants, which makes them very thin and not very lightfast. Kremer use pigments in a rich shellac base, which makes their inks uniquely lightfast and brilliant. They dry to a water-insoluble film, and can be diluted with water for water-colour like effects, or Shellac Ink Diluter / Vehicle, for brilliant, glossy, transparent applications. Shake before use.
L517 Linen from Kremer. 180 g/m², For relining and portrait. Superfine quality, smooth surface. 210cm width. Supplied lightly folded.
This item is for special order and will take approximately four weeks to supply.
For more information, please call 020 7790 0884 or email info@apfitzpatrick.co.uk
Burnt Sienna from France. Natural earth dry pigment. Brownish-red.
Ultramarine Red, Violet Pink Coloured Pigment from Kremer. A lovely delicate violet hue. Semi transparent.
Ultramarine Red B, Dark Pink Coloured Pigment from Kremer.
Beautiful, palid cool blue
Cobalt Violet Dark pigment from Kremer. Brilliant dark violet hue < 75 µ.
Cobalt Violet Light pigment from Kremer. Extremely vibrant violet hue.
Mixture of Bone and Lamp Black (Replaces 47150 Kremer Ivory Black)
Kremer Gold-Copper Mica Flakes. Calcined Muscovite 1-3mm, flakes. Use with Water-based binders
Kremer Studio Green Dark. Easy to use and economical green. Synthetic organic pigment and filler.
Deep Black Shellac Ink from Kremer. Strong, highly pigmented traditional shellac ink. Most inks use dyes as colorants, which makes them very thin and not very lightfast. Kremer use pigments in a rich shellac base, which makes their inks uniquely lightfast and brilliant. They dry to a water-insoluble film, and can be diluted with water for water-colour like effects, or Shellac Ink Diluter / Vehicle, for brilliant, glossy, transparent applications. Shake before use.
L518 Linen from Kremer. 135 g/m² linen re-lining fabric. 210cm width. Supplied lightly folded.
This item is for special order and will take approximately four weeks to supply.
For more information, please call 020 7790 0884 or email info@apfitzpatrick.co.uk
Burnt Sienna from France. Natural earth dry pigment. Brownish-red.
Beautiful, palid cool blue
Mixture of Bone and Lamp Black (Replaces 47150 Kremer Ivory Black)
Large Flakes. Use with Water-Based binders.
Kremer Studio Pigment. Rich, Dark Violet Colour. Easy to use and very economical. Synthetic organic pigment and filler.
L530 Jute from Kremer. 425 g/m² Jute fabric. 210cm width. Supplied lightly folded.
This item is for special order and will take approximately four weeks to supply.
For more information, please call 020 7790 0884 or email info@apfitzpatrick.co.uk
Red Bole dry pigment. Natural red earth from Germany.
Kremer Studio Pigment. Rich, Dark Violet Colour. Easy to use and very economical. Synthetic organic pigment and filler.
L510 Linen from Kremer. 335 g/m² linen fabric. 212cm width. Supplied lightly folded.
This item is for special order and will take approximately four weeks to supply.
For more information, please call 020 7790 0884 or email info@apfitzpatrick.co.uk
Red Bole dry pigment. Natural red earth from Germany.
A carbon black. Rich black pigment
Kremer Studio Pigment. Rich, Dark Violet Colour. Easy to use and very economical. Synthetic organic pigment and filler.