Michael Harding
Olive Green Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Series 2. Inorganic My Warm Light Yellow is the solution to artists needs for a white with a tinge of yellow. Perfect for mixing colours and use in portraits, landscapes, and non-figurative works. The consistency is gorgeous, with easy brush strokes. Coverage and opacity are luminous in soft, beautiful light.
Pozzuoli Red Earth Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Series 2. Inorganic My Warm Light Yellow is the solution to artists needs for a white with a tinge of yellow. Perfect for mixing colours and use in portraits, landscapes, and non-figurative works. The consistency is gorgeous, with easy brush strokes. Coverage and opacity are luminous in soft, beautiful light.
Pozzuoli Red Earth Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Refined Safflower Oil from Michael Harding. Slow drying oil. Very pale.
Refined Walnut Oil from Michael Harding. Pale.
Raw Sienna Dark Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Raw Sienna Dark Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Raw Sienna Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Raw Sienna Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
108 Lemon Yellow. Series 1. Contains PY31. Semi-transparent.
Titanium Buff Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
108 Lemon Yellow. Series 1. Contains PY31. Semi-transparent.
Poppyseed oil is used particularly incorporated with whites and light blues for its non yellowing nature as a medium. It is a slower drying oil with a paint film not quite as strong as Linseed and Safflower oils.
Titanium Buff Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Series 1. High tinting strength Arylide Yellow. Transparent.
Transparent Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Series 1. High tinting strength Arylide Yellow. Transparent.
Transparent Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
White Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Series 4. Strong, Vibrant lemon yellow cadmium. Opaque.
Series 4. Cadmium Green (No. 412) is a vivid colour created from pigments PY35 and PG18. With excellent lightfastness and opaque transparency, it adds depth to compositions. Its average drying speed and linseed oil binder make it a versatile choice for artists seeking reliability and vibrancy in their work.
Series 4. Cadmium Green (No. 412) is a vivid colour created from pigments PY35 and PG18. With excellent lightfastness and opaque transparency, it adds depth to compositions. Its average drying speed and linseed oil binder make it a versatile choice for artists seeking reliability and vibrancy in their work.
White Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings. Supplied in a 2.5lt pot.
Series 4. Strong, Vibrant lemon yellow cadmium. Opaque.
White Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings. Supplied in a 5lt pot.
109 Bright Yellow Lake. Series 1. Contains PY31.Transparent.
Poppyseed oil is used particularly incorporated with whites and light blues for its non yellowing nature as a medium. It is a slower drying oil with a paint film not quite as strong as Linseed and Safflower oils.
109 Bright Yellow Lake. Series 1. Contains PY31.Transparent.
Series 4. Strong cadmium yellow. Opaque.
Series 4. Strong cadmium yellow. Opaque.
Series 5. Cobalt Yellow. Vibrant. Transparent.
Series 5. Cobalt Yellow. Vibrant. Transparent.
Series 4. Cadmium yellow with a warm hue. Opaque.
Series 4. Cadmium yellow with a warm hue. Opaque.
Series 4. A yellow-orange cadmium. Opaque.
Series 4. A yellow-orange cadmium. Opaque.
Series 2. A synthetic Organic 'lake' yellow offering an extremely strong, warm and vibrant colour. Very transparent.
Series 2. A synthetic Organic 'lake' yellow offering an extremely strong, warm and vibrant colour. Very transparent.
Series 4. A very strong golden mixed colour containing Nickel Azo and Quinacridone. High tinting power and beautiful for glazing. Transparent.
Series 4. A very strong golden mixed colour containing Nickel Azo and Quinacridone. High tinting power and beautiful for glazing. Transparent.
Series 2. Reddish hue to this Indian Yellow and a faster drying rate. Beautifully transparent.
Series 2. Reddish hue to this Indian Yellow and a faster drying rate. Beautifully transparent.
Series 2. High tinting strength warm Arylide yellow. Subtle bronze tone. Transparent.
Series 2. High tinting strength warm Arylide yellow. Subtle bronze tone. Transparent.
Series 5. Rich, deep orange. Opaque.
Series 5. Rich, deep orange. Opaque.
Series 2. Powerful red-orange. Good for mixes as it has a high tinting strength. Semi opaque.
Series 2. Powerful red-orange. Good for mixes as it has a high tinting strength. Semi opaque.
Series 5. Red-Orange Cadmium. Opaque.
Series 5. Red-Orange Cadmium. Opaque.
Series 5. Strong, vibrant. Opaque.
Series 5. Strong, vibrant. Opaque.
Series 2. A Napthol Red Pigment with high tinting strength. Warm red. Semi opaque.
Series 2. A Napthol Red Pigment with high tinting strength. Warm red. Semi opaque.
Series 3. Very high tinting strength, fiery red. Semi opaque.
Series 3. No. 318 Blue Verditer (PB28, PW6, PB36). A soft, pale blue with a slightly muted quality, Blue Verditer is a historical pigment with a modern twist. Blue verditer is basic copper carbonateand the artificial form of the pigment azurite. This opaque yet delicate hue is perfect for skies, seascapes, or atmospheric works, offering subtle, cool tones with a touch of grey.
Series 3. No. 318 Blue Verditer (PB28, PW6, PB36). A soft, pale blue with a slightly muted quality, Blue Verditer is a historical pigment with a modern twist. Blue verditer is basic copper carbonateand the artificial form of the pigment azurite. This opaque yet delicate hue is perfect for skies, seascapes, or atmospheric works, offering subtle, cool tones with a touch of grey.
Series 3. Rose Dore (No. 319) is a robust yet subtle colour, blending pigments PY151 and PV19 to evoke the soft, romantic tones of a golden rose. With excellent lightfastness and a semi-transparent quality, it adds depth to every composition. Featuring a slow drying speed and bound with linseed oil, No. 319 empowers the artists detailing and layering.
Series 3. Rose Dore (No. 319) is a robust yet subtle colour, blending pigments PY151 and PV19 to evoke the soft, romantic tones of a golden rose. With excellent lightfastness and a semi-transparent quality, it adds depth to every composition. Featuring a slow drying speed and bound with linseed oil, No. 319 empowers the artists detailing and layering.
Series 3. No. 321 Quinacridone Coral (PR209). Though corals in nature span a broad spectrum, Quinacridone Coral offers a rich, warm pink with a distinct coral hue, more vivid than the peachy tones we often associate with the name. Transparent yet bold, this colour is ideal for adding warmth and depth to florals, portraits, and sunsets. Its unique balance of red and pink gives it remarkable versatility, making it an excellent choice for a wide range of subjects.
Series 3. No. 321 Quinacridone Coral (PR209). Though corals in nature span a broad spectrum, Quinacridone Coral offers a rich, warm pink with a distinct coral hue, more vivid than the peachy tones we often associate with the name. Transparent yet bold, this colour is ideal for adding warmth and depth to florals, portraits, and sunsets. Its unique balance of red and pink gives it remarkable versatility, making it an excellent choice for a wide range of subjects.
Series 3. Quinacridone Purple brings intensity and depth to any painting. Its slightly cool, jewel-like hue is perfect for rich shadows, dramatic skies, or floral work. The quinacridone pigment ensures long-lasting vibrancy and clarity.
Series 3. Quinacridone Purple brings intensity and depth to any painting. Its slightly cool, jewel-like hue is perfect for rich shadows, dramatic skies, or floral work. The quinacridone pigment ensures long-lasting vibrancy and clarity.
Series 3. Very high tinting strength, fiery red. Semi opaque.
Series 5. Deep, bluish-red. Opaque.
Series 5. Deep, bluish-red. Opaque.
Series 3. High tinting strength. Transparent.
Series 3. High tinting strength. Transparent.
Series 3. High tinting strength. Good alternative to traditional Alizarin Crimson. Transparent.
Series 3. High tinting strength. Good alternative to traditional Alizarin Crimson. Transparent.
Series 4. Warm red. Very vibrant as a glazing colour. Transparent.
Series 4. Warm red. Very vibrant as a glazing colour. Transparent.
Series 6. An exquisite lake colour. Traditional natural red colour. Poor lightfastness. Transparent.
Series 6. An exquisite lake colour. Traditional natural red colour. Poor lightfastness. Transparent.
Series 3. A beautiful colour for glazing. Transparent.
Series 3. A beautiful colour for glazing. Transparent.
Series 2. Luminous Pink colour achieved with a mixture including Quinacridone. Very vibrant. Opaque.
Series 2. Luminous Pink colour achieved with a mixture including Quinacridone. Very vibrant. Opaque.
Series 3. Rich, strong pink. Very bright when mixed with white. Transparent.
Series 3. Rich, strong pink. Very bright when mixed with white. Transparent.
Series 6. Fast Drying. Delicate light violet hue. Semi opaque.
Series 6. Fast Drying. Delicate light violet hue. Semi opaque.
Series 6. Fast Drying. Deep Violet hue as a mass tone. Delicate violet hue when thinned. Semi opaque.
Series 6. Fast Drying. Deep Violet hue as a mass tone. Delicate violet hue when thinned. Semi opaque.
Series 3. A heavy and bold violet with mild reddish overtones. Semi opaque.
Series 3. A heavy and bold violet with mild reddish overtones. Semi opaque.
Series 3. A vivid violet mixture. Transparent.
Series 3. A vivid violet mixture. Transparent.
Series 2. Subtle violet colour with low tinting strength. Good for glazing techniques. Transparent.
Series 2. Subtle violet colour with low tinting strength. Good for glazing techniques. Transparent.
Series 3. A fabulously strong Violet. Extremely high tinting strength. Transparent.
Series 3. A fabulously strong Violet. Extremely high tinting strength. Transparent.
Series 1. Prussian Blue has an incredibly high tinting strength. An inky blue. Transparent.
Series 1. Prussian Blue has an incredibly high tinting strength. An inky blue. Transparent.