Michael Harding Artists' Oil Colour

Introductory Set of Michael Hardings' renowned oil colors. A set of 6 x 40ml tubes comprising of Titanium White No1, Yellow Lake, Ultramarine Blue, Burnt Umber, Scarlet Lake. A great start for anyone wishing to work with artists oil paint.

Inspired by Bermuda and Caribbean adventures. A set of 6 x 40ml tubes comprising of Warm White, Yellow Lake, Brilliant Pink, Phthalocyanine Blue, Bright Green Lake, Cobalt Teal. This set captures the essence of the tropics and natural beauty of the islands. A vivid set of beautiful, vibrant colors.

A very versatile set of 10 x 40ml Michael Hardings oil paints offering a unique combination of colors. The Plein Air set is perfect for capturing the natural beauty of landscapes and flesh tones alike. Affordably priced and offering tremendous mixability, this range of colors will enhance any oil painters palette.

Series 3. A New colour in the Michael Harding Oil Colour Range.

Series 3. New Addition to Michael Hardings Oil Colour Range.

Series 3. A truly beautiful smoky blue.

Series 3. A truly beautiful smoky blue.

Series 2. An affordable, highly lightfast red. Bold and bright with a cool crisp undertone.

Series 2. An affordable, highly lightfast red. Bold and bright with a cool crisp undertone.

Series 1. Titanium White in Safflower Oil. A slow drying Oil, Safflower ensures the white remains bright. This is the most brilliant white in the range.

Series 1. Titanium White in Safflower Oil. A slow drying Oil, Safflower ensures the white remains bright. This is the most brilliant white in the range.

Series 1. Titanium White ground in Linseed Oil. Good covering power and forms a strong paint film. Very opaque.

Series 1. Titanium White ground in Linseed Oil. Good covering power and forms a strong paint film. Very opaque.

Series 1. Fast Drying White. Titanium White in Linseed Oil with the addition of cobalt drier. Very opaque.

Series 1. Fast Drying White. Titanium White in Linseed Oil with the addition of cobalt drier. Very opaque.

Series 1. An alternative to Lead White. Opaque.

Series 1. An alternative to Lead White. Opaque.

Series 2. A very pallid, luminous warm yellow mixed colour. Opaque.

Series 2. A very pallid, luminous warm yellow mixed colour. Opaque.

Series 5. Lemon hue. Soft and pallid colour. Opaque.

Series 5. Lemon hue. Soft and pallid colour. Opaque.

Series 5. Pale yellow with a sulphurous shade. Opaque.

Series 5. Pale yellow with a sulphurous shade. Opaque.

Series 1. Barium Yellow. Beautiful acidic yellow. Semi transparent.

Series 1. Barium Yellow. Beautiful acidic yellow. Semi transparent.

Series 1. High tinting strength Arylide Yellow. Transparent.

Series 1. High tinting strength Arylide Yellow. Transparent.

Series 4. Strong, Vibrant lemon yellow cadmium. Opaque.

Series 4. Strong, Vibrant lemon yellow cadmium. Opaque.

Series 1. Very strong Arylide Yellow. High tinting strength. Transparent.

Series 1. Very strong Arylide Yellow. High tinting strength. Transparent.

Series 4. Strong cadmium yellow. Opaque.

Series 4. Strong cadmium yellow. Opaque.

Series 5. Cobalt Yellow. Vibrant. Transparent.

Series 5. Cobalt Yellow. Vibrant. Transparent.

Series 4. Cadmium yellow with a warm hue. Opaque.

Series 4. Cadmium yellow with a warm hue. Opaque.

Series 4. A yellow-orange cadmium. Opaque.

Series 4. A yellow-orange cadmium. Opaque.

Series 2. A synthetic Organic 'lake' yellow offering an extremely strong, warm and vibrant colour. Very transparent.

Series 2. A synthetic Organic 'lake' yellow offering an extremely strong, warm and vibrant colour. Very transparent.

Series 4. A very strong golden mixed colour containing Nickel Azo and Quinacridone. High tinting power and beautiful for glazing. Transparent.

Series 4. A very strong golden mixed colour containing Nickel Azo and Quinacridone. High tinting power and beautiful for glazing. Transparent.

Series 2. Reddish hue to this Indian Yellow and a faster drying rate. Beautifully transparent.

Series 2. Reddish hue to this Indian Yellow and a faster drying rate. Beautifully transparent.

Series 2. High tinting strength warm Arylide yellow. Subtle bronze tone. Transparent.

Series 2. High tinting strength warm Arylide yellow. Subtle bronze tone. Transparent.

Series 5. Rich, deep orange. Opaque.

Series 5. Rich, deep orange. Opaque.

Series 2. Powerful red-orange. Good for mixes as it has a high tinting strength. Semi opaque.

Series 2. Powerful red-orange. Good for mixes as it has a high tinting strength. Semi opaque.

Series 5. Red-Orange Cadmium. Opaque.

Series 5. Red-Orange Cadmium. Opaque.

Series 5. Strong, vibrant. Opaque.

Series 5. Strong, vibrant. Opaque.

Series 2. A Napthol Red Pigment with high tinting strength. Warm red. Semi opaque.

Series 2. A Napthol Red Pigment with high tinting strength. Warm red. Semi opaque.

Series 3. Very high tinting strength, fiery red. Semi opaque.

Series 3. Very high tinting strength, fiery red. Semi opaque.

Series 5. Deep, bluish-red. Opaque.

Series 5. Deep, bluish-red. Opaque.

Series 3. High tinting strength. Transparent.

Series 3. High tinting strength. Transparent.

Series 3. High tinting strength. Good alternative to traditional Alizarin Crimson. Transparent.

Series 3. High tinting strength. Good alternative to traditional Alizarin Crimson. Transparent.

Series 4. Warm red. Very vibrant as a glazing colour. Transparent.

Series 4. Warm red. Very vibrant as a glazing colour. Transparent.

Series 6. An exquisite lake colour. Traditional natural red colour. Poor lightfastness. Transparent.

Series 6. An exquisite lake colour. Traditional natural red colour. Poor lightfastness. Transparent.

Series 3. A beautiful colour for glazing. Transparent.

Series 3. A beautiful colour for glazing. Transparent.

Series 2. Luminous Pink colour achieved with a mixture including Quinacridone. Very vibrant. Opaque.

Series 2. Luminous Pink colour achieved with a mixture including Quinacridone. Very vibrant. Opaque.

Series 3. Rich, strong pink. Very bright when mixed with white. Transparent.

Series 3. Rich, strong pink. Very bright when mixed with white. Transparent.

Series 6. Fast Drying. Delicate light violet hue. Semi opaque.

Series 6. Fast Drying. Delicate light violet hue. Semi opaque.

Series 6. Fast Drying. Deep Violet hue as a mass tone. Delicate violet hue when thinned. Semi opaque.

Series 6. Fast Drying. Deep Violet hue as a mass tone. Delicate violet hue when thinned. Semi opaque.

Series 3. A heavy and bold violet with mild reddish overtones. Semi opaque.

Series 3. A heavy and bold violet with mild reddish overtones. Semi opaque.

Series 3. A vivid violet mixture. Transparent.

Series 3. A vivid violet mixture. Transparent.

Series 2. Subtle violet colour with low tinting strength. Good for glazing techniques. Transparent.

Series 2. Subtle violet colour with low tinting strength. Good for glazing techniques. Transparent.

Series 3. A fabulously strong Violet. Extremely high tinting strength. Transparent.

Series 3. A fabulously strong Violet. Extremely high tinting strength. Transparent.

Series 1. Prussian Blue has an incredibly high tinting strength. An inky blue. Transparent.

Series 1. Prussian Blue has an incredibly high tinting strength. An inky blue. Transparent.

Series 2. Indigo with excellent lightfastness and high tinting strength. Beautiful deep, dark, inky blue. Transparent.

Series 2. Indigo with excellent lightfastness and high tinting strength. Beautiful deep, dark, inky blue. Transparent.

Series 2. Fast drying, 'cyan' type blue colour. Extremely high tinting strength. Transparent.

Series 2. Fast drying, 'cyan' type blue colour. Extremely high tinting strength. Transparent.

Series 1. Bright blue. Good tinting strength. Transparent.

Series 1. Bright blue. Good tinting strength. Transparent.

Series 5. Greenish blue with a 'mineral' appearance when dry. Semi opaque.