Michael Harding Artists' Oil Colour
Michael Harding oil colours offer the greatest possible coverage, with brilliant, vibrant and true colours. The consistency is creamy, buttery, easy to handle and to manipulate texture. Artists know Michael Harding artist oil colours give their paintings the qualities that help make it stand out in a room full of paintings. The greater the pigment content of a paint the greater the resistance it has to fading, resulting in excellent lightfast ratings!
Fine artists oil colours in 40ml size and large 225ml tubes.
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Series 2. Reddish hue to this Indian Yellow and a faster drying rate. Beautifully transparent.
Series 2. High tinting strength warm Arylide yellow. Subtle bronze tone. Transparent.
Series 2. High tinting strength warm Arylide yellow. Subtle bronze tone. Transparent.
Series 5. Rich, deep orange. Opaque.
Series 5. Rich, deep orange. Opaque.
Series 2. Powerful red-orange. Good for mixes as it has a high tinting strength. Semi opaque.
Series 2. Powerful red-orange. Good for mixes as it has a high tinting strength. Semi opaque.
Series 5. Red-Orange Cadmium. Opaque.
Series 5. Red-Orange Cadmium. Opaque.
Series 5. Strong, vibrant. Opaque.
Series 5. Strong, vibrant. Opaque.
Series 2. A Napthol Red Pigment with high tinting strength. Warm red. Semi opaque.
Series 2. A Napthol Red Pigment with high tinting strength. Warm red. Semi opaque.
Series 3. Very high tinting strength, fiery red. Semi opaque.
Series 3. No. 318 Blue Verditer (PB28, PW6, PB36). A soft, pale blue with a slightly muted quality, Blue Verditer is a historical pigment with a modern twist. Blue verditer is basic copper carbonateand the artificial form of the pigment azurite. This opaque yet delicate hue is perfect for skies, seascapes, or atmospheric works, offering subtle, cool tones with a touch of grey.
Series 3. No. 318 Blue Verditer (PB28, PW6, PB36). A soft, pale blue with a slightly muted quality, Blue Verditer is a historical pigment with a modern twist. Blue verditer is basic copper carbonateand the artificial form of the pigment azurite. This opaque yet delicate hue is perfect for skies, seascapes, or atmospheric works, offering subtle, cool tones with a touch of grey.
Series 3. Rose Dore (No. 319) is a robust yet subtle colour, blending pigments PY151 and PV19 to evoke the soft, romantic tones of a golden rose. With excellent lightfastness and a semi-transparent quality, it adds depth to every composition. Featuring a slow drying speed and bound with linseed oil, No. 319 empowers the artists detailing and layering.
Series 3. Rose Dore (No. 319) is a robust yet subtle colour, blending pigments PY151 and PV19 to evoke the soft, romantic tones of a golden rose. With excellent lightfastness and a semi-transparent quality, it adds depth to every composition. Featuring a slow drying speed and bound with linseed oil, No. 319 empowers the artists detailing and layering.
Series 3. No. 321 Quinacridone Coral (PR209). Though corals in nature span a broad spectrum, Quinacridone Coral offers a rich, warm pink with a distinct coral hue, more vivid than the peachy tones we often associate with the name. Transparent yet bold, this colour is ideal for adding warmth and depth to florals, portraits, and sunsets. Its unique balance of red and pink gives it remarkable versatility, making it an excellent choice for a wide range of subjects.
Series 3. No. 321 Quinacridone Coral (PR209). Though corals in nature span a broad spectrum, Quinacridone Coral offers a rich, warm pink with a distinct coral hue, more vivid than the peachy tones we often associate with the name. Transparent yet bold, this colour is ideal for adding warmth and depth to florals, portraits, and sunsets. Its unique balance of red and pink gives it remarkable versatility, making it an excellent choice for a wide range of subjects.
Series 3. Quinacridone Purple brings intensity and depth to any painting. Its slightly cool, jewel-like hue is perfect for rich shadows, dramatic skies, or floral work. The quinacridone pigment ensures long-lasting vibrancy and clarity.
Series 3. Quinacridone Purple brings intensity and depth to any painting. Its slightly cool, jewel-like hue is perfect for rich shadows, dramatic skies, or floral work. The quinacridone pigment ensures long-lasting vibrancy and clarity.
Series 3. Very high tinting strength, fiery red. Semi opaque.
Series 5. Deep, bluish-red. Opaque.
Series 5. Deep, bluish-red. Opaque.
Series 3. High tinting strength. Transparent.
Series 3. High tinting strength. Transparent.
Series 3. High tinting strength. Good alternative to traditional Alizarin Crimson. Transparent.
Series 3. High tinting strength. Good alternative to traditional Alizarin Crimson. Transparent.
Series 4. Warm red. Very vibrant as a glazing colour. Transparent.
Series 4. Warm red. Very vibrant as a glazing colour. Transparent.
Series 6. An exquisite lake colour. Traditional natural red colour. Poor lightfastness. Transparent.
Series 6. An exquisite lake colour. Traditional natural red colour. Poor lightfastness. Transparent.
Series 3. A beautiful colour for glazing. Transparent.
Series 3. A beautiful colour for glazing. Transparent.
Series 2. Luminous Pink colour achieved with a mixture including Quinacridone. Very vibrant. Opaque.
Series 2. Luminous Pink colour achieved with a mixture including Quinacridone. Very vibrant. Opaque.
Series 3. Rich, strong pink. Very bright when mixed with white. Transparent.
Series 3. Rich, strong pink. Very bright when mixed with white. Transparent.
Series 6. Fast Drying. Delicate light violet hue. Semi opaque.
Series 6. Fast Drying. Delicate light violet hue. Semi opaque.
Series 6. Fast Drying. Deep Violet hue as a mass tone. Delicate violet hue when thinned. Semi opaque.
Series 6. Fast Drying. Deep Violet hue as a mass tone. Delicate violet hue when thinned. Semi opaque.
Series 3. A heavy and bold violet with mild reddish overtones. Semi opaque.
Series 3. A heavy and bold violet with mild reddish overtones. Semi opaque.
Series 3. A vivid violet mixture. Transparent.
Series 3. A vivid violet mixture. Transparent.
Series 2. Subtle violet colour with low tinting strength. Good for glazing techniques. Transparent.
Series 2. Subtle violet colour with low tinting strength. Good for glazing techniques. Transparent.
Series 3. A fabulously strong Violet. Extremely high tinting strength. Transparent.
Series 3. A fabulously strong Violet. Extremely high tinting strength. Transparent.
Series 1. Prussian Blue has an incredibly high tinting strength. An inky blue. Transparent.
Series 1. Prussian Blue has an incredibly high tinting strength. An inky blue. Transparent.
Series 2. Indigo with excellent lightfastness and high tinting strength. Beautiful deep, dark, inky blue. Transparent.
Series 2. Indigo with excellent lightfastness and high tinting strength. Beautiful deep, dark, inky blue. Transparent.
Series 2. Fast drying, 'cyan' type blue colour. Extremely high tinting strength. Transparent.
Series 2. Fast drying, 'cyan' type blue colour. Extremely high tinting strength. Transparent.
Series 1. Bright blue. Good tinting strength. Transparent.
Series 1. Bright blue. Good tinting strength. Transparent.
Series 7. Genuine Lapis Lazuli. The traditional prized crystalline blue pigment in an oil paint. Semi transparent.
Series 5. Greenish blue with a 'mineral' appearance when dry. Semi opaque.
Series 5. Greenish blue with a 'mineral' appearance when dry. Semi opaque.
Series 6. Cobalt Cerulean blue. Excellent covering power and subtle hue. Opaque.
Series 6. Cobalt Cerulean blue. Excellent covering power and subtle hue. Opaque.
Series 1. Strong light blue similar to 'Manganese Blue'. Opaque.
Series 1. Strong light blue similar to 'Manganese Blue'. Opaque.
Series 2. Vibrant, Ultramarine based bright blue. Opaque.
Series 2. Vibrant, Ultramarine based bright blue. Opaque.
Series 2. Deeper of the two Kings Blues. Rich. Opaque.
Series 2. Deeper of the two Kings Blues. Rich. Opaque.
Series 5. Vibrant green-blue turquoise. opaque.
Series 5. Vibrant green-blue turquoise. opaque.
Series 2. Phthalocyanine based mixture with white to achieve a turquoise with exceptional covering power. Opaque.
Series 2. Phthalocyanine based mixture with white to achieve a turquoise with exceptional covering power. Opaque.
Series 5. Deep blue-green turquoise. Semi opaque.
Series 5. Deep blue-green turquoise. Semi opaque.
Series 3. Good covering power, low tinting strength. Opaque.
Series 3. Good covering power, low tinting strength. Opaque.
Series 5. Very fast drying vivid green blue. Semi opaque.
Series 5. Very fast drying vivid green blue. Semi opaque.
Series 2. A rich, deep green which is fast drying. Essential for the landscape painter. Semi transparent.
Series 2. A rich, deep green which is fast drying. Essential for the landscape painter. Semi transparent.
Series 5. A Subtle bluish green. A very good landscape painters colour. Semi transparent.
Series 5. A Subtle bluish green. A very good landscape painters colour. Semi transparent.
Series 1. Strong, Transparent green. Transparent.
Series 1. Strong, Transparent green. Transparent.
Series 2. A more gingery-yellow variant on straight phthalocyanine green. Fast drying. Transparent.
Series 2. A more gingery-yellow variant on straight phthalocyanine green. Fast drying. Transparent.
Series 2. 'Phthalo' Green. Very fast drying, Very high tinting strength. Transparent.
Series 2. 'Phthalo' Green. Very fast drying, Very high tinting strength. Transparent.
Series 2. Mixed Green offering strength and vibrancy. Opaque.
Series 2. Mixed Green offering strength and vibrancy. Opaque.
Series 2. Mixed Green 'Emerald' colour. Ideal for landscape artists. Opaque.
Series 2. Mixed Green 'Emerald' colour. Ideal for landscape artists. Opaque.
Series 1. Green Earth. Very low tinting strength. Semi transparent.
Series 1. Green Earth. Very low tinting strength. Semi transparent.