Sizings & Primers
Lascaux Sizings and Primers high quality, viscous, pure acrylate dispersions. They need to be diluted with water for best results making them very economical. They are flexible and suitable for almost every type of substrate. Lascaux Primings can also be used for outdoor applications. Lascaux Size, Primer and Gesso are a suitable preparation for most paints, working particularly well for Oil and Acrylic painters.
Acrylic Size for all flexible supports. Highly economical clear sizing. Can be used as a transparent sealer or as a sizing before the application of Lascaux Primer or Lascaux Gesso.
Acrylic Size for all flexible supports. Highly economical clear sizing. Can be used as a transparent sealer or as a sizing before the application of Lascaux Primer or Lascaux Gesso.
Acrylic Size for all flexible supports. Highly economical clear sizing. Can be used as a transparent sealer or as a sizing before the application of Lascaux Primer or Lascaux Gesso.
Transparent Gesso Primer with a semi-absorbent matt surface. Dilute with water. A toothed, transparent ground for Oil, Acrylic, Gouache and Aquacryl paintings. Adds vibrancy to washes and glazes of color.
Gesso Primer with a semi-absorbent, easily sanded pure white, matt surface. Highly concentrated and thinnable with water.A perfect ground for Oil and Acrylic paintings as well as other media.
Black Gesso Primer with a semi-absorbent matt surface. Highly concentrated and thinnable with water. A perfect black ground, it gives opaque colors a particularly brilliant appearance.
Transparent Gesso Primer with a semi-absorbent matt surface. Dilute with water. A toothed, transparent ground for Oil, Acrylic, Gouache and Aquacryl paintings. Adds vibrancy to washes and glazes of color.
Gesso Primer with a semi-absorbent, easily sanded pure white, matt surface. Highly concentrated and thinnable with water.A perfect ground for Oil and Acrylic paintings as well as other media.
Black Gesso Primer with a semi-absorbent matt surface. Highly concentrated and thinnable with water. A perfect black ground, it gives opaque colors a particularly brilliant appearance.
Transparent Gesso Primer with a semi-absorbent matt surface. Dilute with water. A toothed, transparent ground for Oil, Acrylic, Gouache and Aquacryl paintings. Adds vibrancy to washes and glazes of color.
Gesso Primer with a semi-absorbent, easily sanded pure white, matt surface. Highly concentrated and thinnable with water.A perfect ground for Oil and Acrylic paintings as well as other media.
Black Gesso Primer with a semi-absorbent matt surface. Highly concentrated and thinnable with water. A perfect black ground, it gives opaque colors a particularly brilliant appearance.
Acrylic Primer for both Oil and Acrylic Painting. Bright white and matt, suitable for all absorbent supports. Very economical, dilute with water before use. Can be tinted with Lascaux Acrylic Colours.
Acrylic Primer for both Oil and Acrylic Painting. Bright white and matt, suitable for all absorbent supports. Very economical, dilute with water before use. Can be tinted with Lascaux Acrylic Colours.
Acrylic Primer for both Oil and Acrylic Painting. Bright white and matt, suitable for all absorbent supports. Very economical, dilute with water before use. Can be tinted with Lascaux Acrylic Colours.
Black Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Black Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Burnt Sienna Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Burnt Sienna Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Neutral Grey Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Neutral Grey Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
White Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Olive Green Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Olive Green Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Pozzuoli Red Earth Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Pozzuoli Red Earth Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Raw Sienna Dark Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Raw Sienna Dark Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Raw Sienna Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Raw Sienna Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Titanium Buff Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Titanium Buff Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Transparent Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
Transparent Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
White Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings.
White Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings. Supplied in a 2.5lt pot.
White Non-Absorbent priming for oil painters. An Acrylic primer specifically designed by Michael Harding to enhance the colour and finish of oil paintings. Supplied in a 5lt pot.
White primer for rigid, non-absorbent substrates such as aluminium (and other non-ferrous metals), glass, concrete, polyester and plexiglas. Especially suitable for exterior application.
White primer for rigid, non-absorbent substrates such as aluminium (and other non-ferrous metals), glass, concrete, polyester and plexiglas. Especially suitable for exterior application.
White primer for rigid, non-absorbent substrates such as aluminium (and other non-ferrous metals), glass, concrete, polyester and plexiglas. Especially suitable for exterior application.
Colourless sealer for moderately absorbent concrete to highly absorbent plaster and stucco. Predominantly applied in dilution of 1:4 with water
Colourless sealer for moderately absorbent concrete to highly absorbent plaster and stucco. Predominantly applied in dilution of 1:4 with water. This 5lt size is available to order. There is a lead time of approximately three weeks. Please call or email for more information.
A textured paste that dries to a surface similar to handmade paper.
White, lightweight paste, yielding a very absorbent ground. Can be applied thin or thick.
Transforms nearly any surface into an absorbant bright white painting surface similar to hot-press papers.
Lascaux Pastelground, for use on canvas/paper/board
Lascaux Pastelground, for use on canvas/paper/board
Lascaux spray fixative is a transparent spray fix of archival quality for fixing pencil, charcoal, pastels. Protects watercolours, gouache, tempera, acrylic paintings and gold leaf. Lascaux spray fixative can also be used as a clear coat onto degreased aluminium panels/ other non-porous artists surfaces. Please note this item can only be shipped to UK mainland addresses.
Lascaux spray fixative is a transparent spray fix of archival quality for fixing pencil, charcoal, pastels. Protects watercolours, gouache, tempera, acrylic paintings and gold leaf. Lascaux Spray fixative can also be used as a clear coat onto degreased aluminium panels/ other non-porous artists surfaces. Please note this item can only be shipped to UK mainland addresses.
Create thicker and more absorbent primings by using the Lascaux Structura paste or adding it to the Lascaux Gesso
Create thicker and more absorbent primings by using the Lascaux Structura paste or adding it to the Lascaux Gesso
Create thicker and more absorbent primings by using the Lascaux Structura paste or adding it to the Lascaux Gesso
Rich black form of the Structure modelling paste. Can be tinted with colour.
Rich black form of the Structure modelling paste. Can be tinted with colour.
WAS £45.40 ex vat / NOW £36.32 ex vat. (20% Discount). GAC 400 from Golden. Stiffens natural fibres and fabrics and is useful for stiffening un-primed canvas or sculpting and shaping fabric. Fibres saturated with GAC 400 will dry to a hard, stiff film.
Lascaux Paraloid B72 has great penetrating power. Use for the impregnation and stabilisation of substrates like old chalky grounds and paints. Also a good preparation coat for aluminium etc.
Please note this item can only be shipped to UK mainland addresses.
Lascaux Paraloid B72 has great penetrating power. Use for the impregnation and stabilisation of substrates like old chalky grounds and paints. Also a good preparation coat for aluminium etc. This 5lt size is available to order. There is a lead time of approximately four weeks. Please call or email for more information. Please note this item can only be shipped to UK mainland addresses.
Kremer Polyvinyl Alcohol (PVA) is used on linen and canvas and produces a layer that does not absorb moisture and does not swell or shrink. It has a neutral pH, does not yellow and retains its flexibility.
Kremer Polyvinyl Alcohol (PVA) is used on linen and canvas and produces a layer that does not absorb moisture and does not swell or shrink. It has a neutral pH, does not yellow and retains its flexibility.